SECVLAR:

A Triptych of Matter, Gesture, and Recurrence

In SECVLAR, David Toquica orchestrates a heptadecagon of triptychs—17 constellations of three images—where bodies, gestures, and objects enter into rigorous play, not to represent, but to disclose. This is not allegory, nor psychological theater, but a visual architecture of thought made visible through photography. Using four cardinal methodological spaces—Anthropological, Ontological, Gnoseological, and Aesthetic—we can trace the systematic rationality embedded in this project.